© 2019 Fabio Antonio Falcone

REVIEWS

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Falcone is an outstanding player who delivers captivating interpretations on the two instruments he has chosen for this recording.

MUSICA DEI DONUM

Johan van Veen, 11/2018

Falcone is persuasive in his interpretations […] this recording certainly helps to promote his importance.

EARLY MUSIC REVIEW

Noel O’Regan, 10/2018

[...] un jeu plein de finesse et de libre lyrisme.

CLICMAG

Emmanuel Lacoue-Labarthe, 05/2018

Falcone esegue con grande maestria i diversi brani della raccolta [...]. Il risultato complessivo fornisce un quadro di notevole suggestione.

CRITICA CLASSICA

Marco Del Vaglio, 08/2018

A fine musician, who plays on equally sublime instruments, beautifully recorded. It has all the makings of success, and I can do nothing else as wholeheartedly recommend this disc.

PRIMARILY REVIEWING CLASSICAL MUSIC, NEW AND OLDER RECORDINGS

2/2015

Fabio Antonio Falcone spielt alles auf zwei wunderbar klingenden und sehr gut aufgenommenen Kopien zweier italienischer Instrumente jener Zeit, hat eine lebendige, präzise und sehr für sich einnehmende Art, die Musik zu vermitteln.

PROSPERO – FORUM FÜR ALTE MUSIK

2/2015

Mr Falcone’s rendering of these works gives great enjoyment. He can recognize the difference between the structural parts of the music and the ornamental decorative gesture. There is a flexibility that lets the music breath. So much of this early keyboard repertoire is recorded rather stiffly – not so here.

AMERICAN RECORDING GUIDE

11-12/2015

Wer bisher kein Interesse hatte an dieser frühen Musik, der bekommt sie hier, Falcone spielt als ein leidenschaftlicher Protegé dieser Musik werbend und gewinnend.

MUSIK MEDIENHAUS

5/2016

Der mit dieser Musik hörbar bes­tens vertraute Fabio Antonio Falcone weiß dies alles so musikantisch und ausdrucksvoll darzustellen, dass sich Befürchtungen etwaig aufkommender Langeweile angesichts dieses «einseitig» anmutenden Reper­toi­res rasch zerstreuten und man gerne auch über längere Stre­cken hinweg zuhört.

ORGAN – JOURNAL FÜR DIE ORGEL

3/2015

The hardest thing to overcome in a recording of this kind is balancing out the different volumes of quite different instruments and that has been accomplished superbly. The organ used here is a 17th-Century instrument set in the choir loft of the Church of San Giuseppe, Montevecchio di Pergola. This is a small 45-key manual and 9 pedals, with 21 pipes. The sound is captured well in this recording and Falcone’s interpretations are equally fine.

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CINEMUSICAL

7/2015

Falcone carefully sequences the works to provide contrast and maintain listener interest. He also varies the instruments he performs on, which also helps vary the sound of the recording.

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WTJU UNIVERSITY OF VIRGINIA

8/2015

I have greatly enjoyed both performances.

MUSICWEB INTERNATIONAL

8/2015

[…] a huge accomplishment!  […] fine flowing, easy and relaxed music making does the music great credit. It breathes freely, and melodies have the time to blossom. I like it very much […] Recommended.

PRIMARILY REVIEWING CLASSICAL MUSIC, NEW AND OLDER RECORDINGS

4/2015

Un clavecin foisonnant, à la fois précis et libre, mais surtout très inventif dans la réalisation du continuo (gammes en fusées, contre-chants, réponses toujours bienvenues…). […] Et un disque enthousiasmant !

LE JOUEUR DE LUTH – BULLETIN DE LA SOCIÉTÉ FRANÇAISE DU LUTH​

2017

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